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Riflessioni in ordine sparso sulla fotografia
Riflessioni in ordine sparso sulla fotografia
Riflessioni in ordine sparso sulla fotografia
Un viaggio tra arte, fotografia e vita

fotografia come documento

Fotografia | Paesaggio

Gabriele Basilico sul paesaggio, la fotografia come documento e l’archivio del fotografo.

DiAlessandro Mallamaci 9 Giugno 20157 Febbraio 2018

Viaggio in Italia è stata una specie di pausa di riflessione, un rivedere cose inanimante, rivedere degli spazi…

Leggi di più Gabriele Basilico sul paesaggio, la fotografia come documento e l’archivio del fotografo.Continua

RIFLESSIONI IN ORDINE SPARSO SULLA FOTOGRAFIA

Un viaggio tra arte, fotografia e vita


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CI VEDIAMO A LUCCA? Io sarò lì il 30/11 e il 14/ CI VEDIAMO A LUCCA? Io sarò lì il 30/11 e il 14/12! #Repost @photoluxfest 𝙄𝙡 𝘽𝙚𝙡𝙥𝙖𝙚𝙨𝙚? È questo il tema di Photolux Festival 2024! In occasione dei vent’anni del Festival, abbiamo scelto di riflettere, attraverso la fotografia contemporanea, sull’identità dell’Italia, “il bel paese” - come lo definisce già Dante - a cui abbiamo però aggiunto un significativo punto di domanda. È nello spazio di questa domanda, di questo dubbio, di questo ‘invito’ che si muove lo sguardo di questa edizione. Attraverso un fitto programma di mostre, talk, presentazioni e workshop, rifletteremo sull’identità ambigua e duale del nostro Paese, fatta di bellezza e contraddizioni, di incanto e fragilità. 𝗩𝗶 𝗮𝘀𝗽𝗲𝘁𝘁𝗶𝗮𝗺𝗼 𝗮 𝗟𝘂𝗰𝗰𝗮 𝗱𝗮𝗹 𝟮𝟯 𝗻𝗼𝘃𝗲𝗺𝗯𝗿𝗲 𝗮𝗹 𝟭𝟱 𝗱𝗶𝗰𝗲𝗺𝗯𝗿𝗲 per vivere insieme la 20ma edizione di un festival che da sempre si propone di divulgare la cultura fotografica facendo dialogare autori di rilevanza internazionale con nomi emergenti, nonché linguaggi e visioni diverse, comprese quelle create grazie alle nuove tecnologie. #staytuned! — 𝙄𝙡 𝘽𝙚𝙡𝙥𝙖𝙚𝙨𝙚? This is the theme of the Photolux Festival 2024! On the occasion of the Festival’s twentieth anniversary, we have chosen to reflect, through contemporary photography, on the identity of Italy, the “Bel Paese” – as Dante already defined it – adding, however, a meaningful question mark. It is in this question, this doubt, this ‘invitation’ that this edition’s perspective moves. Through a rich program of exhibitions, talks, presentations, and workshops, we will reflect on the ambiguous and dual identity of our country, made of beauty and contradictions, enchantment and fragility. 𝗪𝗲 𝗹𝗼𝗼𝗸 𝗳𝗼𝗿𝘄𝗮𝗿𝗱 𝘁𝗼 𝘀𝗲𝗲𝗶𝗻𝗴 𝘆𝗼𝘂 𝗶𝗻 𝗟𝘂𝗰𝗰𝗮 𝗳𝗿𝗼𝗺 𝗡𝗼𝘃𝗲𝗺𝗯𝗲𝗿 𝟮𝟯 𝘁𝗼 𝗗𝗲𝗰𝗲𝗺𝗯𝗲𝗿 𝟭𝟱 to experience together the 20th edition of a festival that has always aimed to spread photographic culture, fostering dialogue between internationally renowned authors and emerging talents, as well as different languages and visions, including those created through new technologies. 𝗣𝗛𝗢𝗧𝗢𝗟𝗨𝗫 𝗙𝗲𝘀𝘁𝗶𝘃𝗮𝗹 𝟮𝟬𝟮𝟰 𝙄𝙇 𝘽𝙀𝙇𝙋𝘼𝙀𝙎𝙀? 📍Lucca
PATHS [2015-ongoing] Climbs and descents, valley PATHS [2015-ongoing] Climbs and descents, valleys and torrents, centuries-old traditions and culture. Paths, waterways, once navigable. Indelible traces in the landscape of the province of Reggio Calabria, once a colony of Magna Graecia, where the use of “Grecanico” was gradually erased, despite the fact that the inhabitants of the area preferred to turn their eyes to the mountains rather than the sea. Traces of a collective memory, an integral part of the culture of the Strait area. #grecanicarea #southernitaly #abandonedplaces
PATHS [2015-ongoing] Climbs and descents, valley PATHS [2015-ongoing] Climbs and descents, valleys and torrents, centuries-old traditions and culture. Paths, waterways, once navigable. Indelible traces in the landscape of the province of Reggio Calabria, once a colony of Magna Graecia, where the use of “Grecanico” was gradually erased, despite the fact that the inhabitants of the area preferred to turn their eyes to the mountains rather than the sea. Traces of a collective memory, an integral part of the culture of the Strait area. #grecanicarea #southernitaly #abandonedplaces
PATHS [2015-ongoing] Climbs and descents, valley PATHS [2015-ongoing] Climbs and descents, valleys and torrents, centuries-old traditions and culture. Paths, waterways, once navigable. Indelible traces in the landscape of the province of Reggio Calabria, once a colony of Magna Graecia, where the use of “Grecanico” was gradually erased, despite the fact that the inhabitants of the area preferred to turn their eyes to the mountains rather than the sea. Traces of a collective memory, an integral part of the culture of the Strait area. #grecanicarea #southernitaly #abandonedplaces
PATHS [2015-ongoing] Climbs and descents, valley PATHS [2015-ongoing] Climbs and descents, valleys and torrents, centuries-old traditions and culture. Paths, waterways, once navigable. Indelible traces in the landscape of the province of Reggio Calabria, once a colony of Magna Graecia, where the use of “Grecanico” was gradually erased, despite the fact that the inhabitants of the area preferred to turn their eyes to the mountains rather than the sea. Traces of a collective memory, an integral part of the culture of the Strait area. #grecanicarea #southernitaly #abandonedplaces
PATHS [2015-ongoing] Climbs and descents, valley PATHS [2015-ongoing] Climbs and descents, valleys and torrents, centuries-old traditions and culture. Paths, waterways, once navigable. Indelible traces in the landscape of the province of Reggio Calabria, once a colony of Magna Graecia, where the use of “Grecanico” was gradually erased, despite the fact that the inhabitants of the area preferred to turn their eyes to the mountains rather than the sea. Traces of a collective memory, an integral part of the culture of the Strait area. #grecanicarea #southernitaly #abandonedplaces
#labiennaledellostretto @500x100 @mediterranei_in #labiennaledellostretto @500x100 @mediterranei_invisibili @alfonsofemia
My exhibition project for #LaBiennaledelloStretto My exhibition project for #LaBiennaledelloStretto which opened today. Thanks to @alfonsofemia, @mediterranei_invisibili, @500x100, @m_enrico, @marco_introini #straitofmessina #architecture #landscape
PATHS [2015-ongoing] Climbs and descents, valley PATHS [2015-ongoing] Climbs and descents, valleys and torrents, centuries-old traditions and culture. Paths, waterways, once navigable. Indelible traces in the landscape of the province of Reggio Calabria, once a colony of Magna Graecia, where the use of “Grecanico” was gradually erased, despite the fact that the inhabitants of the area preferred to turn their eyes to the mountains rather than the sea. Traces of a collective memory, an integral part of the culture of the Strait area. #grecanicarea #southernitaly #abandonedplaces
PATHS [2015-ongoing] Climbs and descents, valley PATHS [2015-ongoing] Climbs and descents, valleys and torrents, centuries-old traditions and culture. Paths, waterways, once navigable. Indelible traces in the landscape of the province of Reggio Calabria, once a colony of Magna Graecia, where the use of “Grecanico” was gradually erased, despite the fact that the inhabitants of the area preferred to turn their eyes to the mountains rather than the sea. Traces of a collective memory, an integral part of the culture of the Strait area. #grecanicarea #southernitaly #abandonedplaces
My project “Un luogo bello” has been selected My project “Un luogo bello” has been selected as a winner of the Photolux Intarget Award 2024 - Raccontare l’Italia See you at @photoluxfest in November 😍 Many thanks to @photoluxfest, @intarget_group and to the jury, composed by @susannascafuri @benedettadonato @rapierpa. Also thanks to @enricostefanelli and @nicolatanzini for this gorgeous opportunity 🙏
PATHS [2015-ongoing] Climbs and descents, valley PATHS [2015-ongoing] Climbs and descents, valleys and torrents, centuries-old traditions and culture. Paths, waterways, once navigable. Indelible traces in the landscape of the province of Reggio Calabria, once a colony of Magna Graecia, where the use of “Grecanico” was gradually erased, despite the fact that the inhabitants of the area preferred to turn their eyes to the mountains rather than the sea. Traces of a collective memory, an integral part of the culture of the Strait area. #grecanicarea #southernitaly #abandonedplaces
PATHS [2015-ongoing] Climbs and descents, valley PATHS [2015-ongoing] Climbs and descents, valleys and torrents, centuries-old traditions and culture. Paths, waterways, once navigable. Indelible traces in the landscape of the province of Reggio Calabria, once a colony of Magna Graecia, where the use of “Grecanico” was gradually erased, despite the fact that the inhabitants of the area preferred to turn their eyes to the mountains rather than the sea. Traces of a collective memory, an integral part of the culture of the Strait area. #grecanicarea #southernitaly #abandonedplaces
Self portrait, 2011, Reggio Calabria `We do not w Self portrait, 2011, Reggio Calabria `We do not wonder that you should mourn in this manner for Narcissus, so beautiful was he.’ `But was Narcissus beautiful?’ said the pool. `Who should know that better than you?’ answered the Oreads. `Us did he ever pass by, but you he sought for, and would lie on your banks and look down at you, and in the mirror of your waters he would mirror his own beauty.’ And the pool answered, `But I loved Narcissus because, as he lay on my banks and looked down at me, in the mirror of his eyes I saw ever my own beauty mirrored.’ Oscar Wilde #selfportrait #blackandwhitephotography #personalnote #narciso #narcissus #oscarwilde
Self portrait, 2014, Lisbon #selfportrait #blacka Self portrait, 2014, Lisbon #selfportrait #blackandwhitephotography #streetphotography #journalintime #personalnote
Self portrait, Cosenza, 2006 #selfportrait #archi Self portrait, Cosenza, 2006 #selfportrait #archive #negativefilm #tmax #tmax100 #nikonfm2 #studiophotography #velasquez #canova #greekmythology #symbolism #goya #majadesnuda #afrocubanpercussion #percussionist #flash #pomegranate #blackandwhitephotography
Arles, 2022 #selfportrait #archive #leicam #astil Arles, 2022 #selfportrait #archive #leicam #astillhour @leica_camera_italia @leicacamerafrance @musee.arlesantique
Happy about my little contribution to Prof. @marce Happy about my little contribution to Prof. @marcello.minenna's monograph, published by @g_giappichelli_editore, for which I edited many figures and the AI-generated image for the cover. #giappichelli #g20 #politicheeconomiche
Reposted from @mediterranei_invisibili LA BIENNA Reposted from @mediterranei_invisibili LA BIENNALE DELLO STRETTO 2024 / COMING SOON How many dystopian visions has literature, art, and film offered about cities of the future? How many scenarios, futuristic and distant, are already today or soon to be reality? The cities of the future, as they will really be, with water in the foreground – and the daily news harshly testifies to the emergency – and the fundamentals of living – living, health, mobility, schooling, culture – will be the subject of narrative, debate, and planning at the second edition of the Straits Biennial. From September 18th to December 14th, an exhibition-exposition of international projects, debates and insights with authoritative guests, between Calabria and Sicily. Along with the directors Mariangela Cama, Alfonso Femia, Francesca Moraci and curators Arianna Azzellino, Luisa Bravo, Stefano Capolongo, Giulio De Carli, Gaetano Di Gesu, Alessandra Ferrari, Luciano Galimberti, Marirosa Iannelli, Annalisa Metta, Mauro Francesco Minervino, Luca Molinari, Giovanni Multari, Rosaria Ester Musumeci, Orizzontale, Federico Parolotto, Angela Pellicanò, Gaia Sgaramella, Francesco Scullica, Giuseppe Smorto. "An opportunity to reflect, to systematize virtuous projects and programs, to imagine welcoming cities, capable of sharing, in all senses, the differences between people." Mariangela Cama, Alfonso Femia, Francesca Moraci regard by Marco Introini for La Biennale dello Stretto "I luoghi dello Stretto" @marco_introini @500x100 #labiennaledellostretto #biennaledellostretto #lecittadelfuturo #citiesofthefuture #letrelineedacqua #thethreewaterlines #mediterraneiinvisibili #500x100 #OAPPCReggioCalabria #OAPPCMessina
Marseille, 2024 #shotoniphone #streetphotography Marseille, 2024 #shotoniphone #streetphotography #landscapephotography #urbanlandscape
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Sono Alessandro
Mallamaci, sono un fotografo professionista, insegno fotografia e tengo corsi e workshop intensivi di fotografia e post-produzione da oltre 10 anni . Fujifilm ambassador dal 2013 al 2015, docente della prestigiosa Leica Akademie Italy fino al 2021 e a collaborare con la EIZO Color Academy, a tenere con regolarità corsi e workshop intensivi di fotografia e post-produzione, a fondare uno dei centri di formazione più importanti in Italia nel settore fotografico e diventare esperto di stampa fine art.

Sono socio Tau Visual, Associazione Nazionale Fotografi Professionisti e sono rappresentato dalla Galleria Valeria Bella di Milano.

Nel 2023 ho esposto al Lishui Photography Festival in Cina, sono stato tra i semifinalisti dell’Eyeshot Open Call 2023, tra i dieci fotografi selezionati nella categoria professional/landscape ai Sony World Photography Awards, sono stato selezionato per la mostra The Performing Photobook, curata da Francesca Serravalle per il festival Format International Photography Festival a Derby, per la collettiva internazionale Con e senza radici a Pisa, per l’esposizione Back on the Shelf presso la galleria Filter Photo a Chicago.

Nel 2022 ho ricevuto un bronzo al Tokyo International Foto Awards, sono stato tra i vincitori della Open Call del Belfast Photo Festival e della Open Call Lightland con una giuria presieduta da Vittorio Storato. Inoltre sono stato selezionato tra i partecipanti alle letture portfolio del festival di fotografia Revela’T in Spagna e all’Imago Lisboa Photo Festival in Portogallo, tra centinaia di candidati.

Nel 2021 sono stato selezionato all’Andy Rocchelli Grant e ho ricevuto la menzione speciale all’Urbanautica Institute Annual Award.

Nel 2018 ho curato l’allestimento della mostra “Malta 2018” alla Leica Galerie a Milano, progetto realizzato in collaborazione con Leica Camera Italia e Malta Tourism Authority.

Nel 2017 e nel 2018 sono stato consulente scientifico per la produzione Sky Arts “Master of Photography“. Sono stato finalista a Portfolio Italia nel 2015 e, nello stesso anno, ho esposto al SiFest Off. Ho collaborato a Miss Italia nel 2011.

Ho pubblicato il libro “Tamburi della Sila – Costruttori e suonatori dei Casali Cosentini” nel 2006, Squilibri Editore.

Cell. +39.347.0064356
info@alessandromallamaci.it

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